How each piece is born...
How Each Piece Is Made
There's something ancient and alive about transforming clay into an object that will last forever.
Every piece you find here is born from clay—a humble material, pliable in the hands, transformed by fire into something extraordinarily durable and unique.
The process is long, and cannot be rushed.
After modeling, each piece dries slowly. Only then does it enter the kiln for the first firing, between 950° and 1000°C. At this point it is called biscuit: hard, resistant, but still porous, still waiting.
It is then hand-glazed—with a brush, spray, or dip—and decorated before returning to the kiln for the second firing. This is where the glaze melts, becomes glass, and the piece takes on its final form: impervious, shiny, alive.
Some pieces receive a final gift: gold decoration, applied by hand with patience and precision to the already-fired glaze.
Gold requires a third firing, at 700°C—a delicate, calibrated temperature that sets the precious metal on the surface and gives it its characteristic warm, luminous shine.
Each stage takes its time.
There are no shortcuts—and the oven mercilessly reveals every mistake.
What you hold in your hand at the end is not just a decorative object. It is the result of an artisanal process that has remained unchanged in its essence for centuries.
There's something ancient and alive about transforming clay into an object that will last forever.
Every piece you find here is born from clay—a humble material, pliable in the hands, transformed by fire into something extraordinarily durable and unique.
The process is long, and cannot be rushed.
After modeling, each piece dries slowly. Only then does it enter the kiln for the first firing, between 950° and 1000°C. At this point it is called biscuit: hard, resistant, but still porous, still waiting.
It is then hand-glazed—with a brush, spray, or dip—and decorated before returning to the kiln for the second firing. This is where the glaze melts, becomes glass, and the piece takes on its final form: impervious, shiny, alive.
Some pieces receive a final gift: gold decoration, applied by hand with patience and precision to the already-fired glaze.
Gold requires a third firing, at 700°C—a delicate, calibrated temperature that sets the precious metal on the surface and gives it its characteristic warm, luminous shine.
Each stage takes its time.
There are no shortcuts—and the oven mercilessly reveals every mistake.
What you hold in your hand at the end is not just a decorative object. It is the result of an artisanal process that has remained unchanged in its essence for centuries.
